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I discovered my love of reading at an early age and spent a great deal of my time devouring novels from mysteries like Nancy Drew, whimsical fantasies like Harry Potter, and eventually the turbulent and passionate stories in the romance genre, I found myself engrossed in a completely different world than this one. I believe it is through my experiences and the books I read, that I have developed a keen interest in a myriad of things. For that reason, The Vagaries of Us represents multiple areas of interest
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Prince Harry narrated SPARE himself. If there's one book to kickstart your audible membership with, it'll be this one, since audible members can download it free. It's always fascinating to hear the author of their own memoir discuss their life in detail.
Pedro Juan is in love with his 8-inch penis and jealously in awe of all the huge 12-inch black ones he sees. There is hardly a page without a mention of a penis or a fuck. Poverty means one thing – boredom – and boredom leads to doing the one activity that’s loads of fun and free. So there is loads of fucking and gallons of jism flying around. Add gut rot rum and marijuana and the sex turns to an all day party. Seeing as just about everybody in Havana is skint there is a lot of sex going on, much of it in public in the parks or on the rooftops, and Pedro Juan sees nothing wrong watching while beating his bishop or asking a woman nearby to do it for him. He has sex with young girls – he is 45 and convinced his screwing days are drawing to an end – and old women in their seventies. He even admits to buggering a few people in prison. Any chance to get his prick out and he’ll do it.
"Wrestling Jacob" is another fine story. Here the young narrator discovers that he can attract girls into sexual encounters by first wrestling freestyle with a Swaledale ram, which has the effect of turning on his dates. In "Tony Harrison" the title character is a junky who lives in the narrator’s council estate, always hiding from his shady creditors; the tenants know he steals from them, but can’t help liking the guy just the same. The long "The Tale of the Golden Bath-Taps" follows the young narrator, member of a wannabe rock band, as he pursues the curious female barmaid at The Bollocks, a pub of thugs and cons, "too fucking dangerous" for his mates. Christine leads him on quite a trip and the fun comes from the narrator’s running account of his pursuit. "The Kingfishers . . . The Distances" gives us a slightly older narrator (one annoyingly fixated on writing abstruse poetry) who goes to his local for a pint and finds a group of girls on an excursion with their social worker whom he tries to chat up. The narrator here was once a case worker too as was Broady himself; not surprisingly the profession pops up more than once in the book.
In a previous editorial (Gelfer, 2009), I wrote about the economics of open access journal publishing. Specifically, I noted how a particular viewpoint expressed by Conley and Wooders (2009) glossed over some of the skills involved in open access publishing, and how this resulted at once in a devaluation of the publishing profession, and the co-option of free labor from academics. The outcome of this combination is that open access publishing can be seen as the privilege of those who can afford to support a volunteer economy. However, I am still an advocate of alternative publishing models, as demonstrated by JMMS being an open access journal. In this editorial I want to assume that we have made peace with the nature of volunteer economics, and offer some further practical thoughts not in the domain of journals (because this has been done in many other places), but books. Further still, I want to talk not about open access books in the increasing number of institutionally-supported open access monograph initiatives (important though they are), but genuinely independent publishing that is delivered not just online as open access content, but also via other channels such as print and Kindle.
My thinking on this subject was encouraged by the idea of writing a nonacademic book about masculinity that could be written exactly as I wanted (in other words, not mediated by what a publisher believed they could sell), and that I could give away online. I was interested in the kind of impact that such a book could potentially have more than the cultural and professional capital that could be derived from a traditionally published book (whether academic or trade). With this in mind I drew up a plan for a book called The Masculinity Conspiracy (Gelfer, 2011), which I intended to give away for free online, posting each chapter as it was written and soliciting comments along the way that could directly result in the text being revised and inform the chapters that had yet to been written.
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